They are full of control and surrender at the same time, confident in their search for answers even when there are none.īadu’s musical style had roots in the smooth harmonies of ’80s groups like Mint Condition and Tony! Toni! Toné!, along with the early songs of Meshell Ndegeocello, but it wasn’t until the late ’90s that neo-soul crystallized into a subgenre with a foundational crew of rebels: D’Angelo, Maxwell, Badu, Jill Scott. There’s a throughline to albums like Solange’s 2016 opus A Seat at the Table, which similarly harnesses the power of Black music as a salve. It stripped the act of soul-searching down to its philosophical elements, mining abstract concepts like self-love, romantic love, and spirituality. Baduizm was an instant hit of intimate existentialism. The record went double platinum by summer and that year won the Grammy for Best R&B Album under the banner of a divisive new subgenre, neo-soul. Out of those demo sessions came her February 1997 debut, Baduizm, bookended by the original recording of “Rim Shot,” split into an intro and outro.
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